The words
Every word knows its rhymes. The page knows its scheme.
Click a word and its rhymes, near rhymes and other ways to say it arrive in the side panel. show rhymes colours the rhyme scheme of every section, so you can see where a chorus holds and where it drifts.
Hold a rhyme to keep it in Held Words. Nothing you cut is lost: deleted lines wait in the Badlands, and any line can keep alternatives.
The co-write
Send a link. Write together, live.
Co-writers join with just a name and no account. They see the lyric change as it is typed, leave a note on a line, and record a voice memo where the melody lives.
Everyone who joins lands on the split sheet. share is the only button in the room.
Spark
Spark reads the line you are on.
Spark reads the line you are on and offers three directions, two sketches each, every one counted to the syllable. Tap a sketch to place it. Undo brings yours back. And you can talk back.
read the song is Spark’s take on the whole piece, talked through, with a verb on every suggestion: take me there, work on it, ask about it.
Versions
Nothing you wrote is gone.
Every earlier state of the song is kept quietly as you write and diffed against now. A dot marks a line that has since gone. A struck line has since arrived.
Bring back one line, one section, or the whole song. The ⟲ on any line shows what that line used to say.
Key, tempo, click
A real click, and the words big at the mic.
Key, tempo and time signature sit under the title. tap the tempo in, or turn on the click: a real metronome, scheduled ahead so it never drifts, bigger on one.
Sing mode puts the words big on a phone at a mic stand. Here the click is turning the page.
92 beats a minute. The dot beats with it, bigger on one. Every second bar, the phone moves to the next line.
The business
The split is agreed in the room, while the song is still warm.
Who wrote it and how much. even split settles it in one tap, and the total reads green when it is whole. The registration pack fills your society’s work registration from it: APRA AMCOS, ASCAP, BMI and the rest.
Your writer profile, with PRO and IPI, follows you into every session. A pitch link is read-only and never shows splits.
| writer | role | society | ipi | share |
|---|---|---|---|---|
| George Sheppard | words & music | APRA AMCOS | 00 · · · · · 41 | 50% |
| Jules Marr | words & music | ASCAP | 50% |
Bring songs in
Your catalogue comes with you.
Paste a whole lyric and it finds its own sections. Drop .txt, .md or .docx files on the shelf and each one becomes a song, with its title.
Also in the room: hold a song to move it, drop it on another to make a folder. Search finds a song by any word in it. Open a song a co-writer touched and see what changed since you were here. A dark room and a light one, and the app follows your device, or your choice. So does this page.
Who made it
Built at the writing table.
Made in Brisbane by George Sheppard, singer of Sheppard. In use in real writing sessions since August 2026.
It is the room he wanted for his own sessions: the lyric, the rhymes, the people and the split, all on one page. The product is the point. If it earns a place at your table, that is the whole idea.
The room is open.
Sign in with an email link. Co-writers you invite never need an account.
Start a song